It's time for me to eat some humble pie and admit that
I was wrong about "Release Me". I still think that the average piece driftwood has more charisma than Agnes Carlsson and remain completely unconvinced about the quality of "Dance Love Pop" but her international breakthrough has grown on me to a ridiculous extent. There's just something utterly irresistible about those disco strings and that anthemic chorus. Imagine how amazing the song would sound if the writers had given it to an actual human being instead of a soulless Swedish robot! But I digress. Since being released in early July "Release Me" has doggedly hung around the lower reaches of the Australian top 100 (currently sitting at #64) but failed to make much of an impact. However, the song is finally starting to gather some upward momentum as a result of increased radio airplay, the onset of summer and a sizzling batch of freshly commissioned local remixes. Which is the whole point of this post. I'm wondering what you all think of the new Australian radio edit courtesy of Todd Watson:
It's time for me to eat some humble pie and admit that I was wrong about "Release Me". I still think that the average piece driftwood has more charisma than Agnes Carlsson and remain completely unconvinced about the quality of "Dance Love Pop" but her international breakthrough has grown on me to a ridiculous extent. There's just something utterly irresistible about those disco strings and that anthemic chorus. Imagine how amazing the song would sound if the writers had given it to an actual human being instead of a soulless Swedish robot! But I digress. Since being released in early July "Release Me" has doggedly hung around the lower reaches of the Australian top 100 (currently sitting at #64) but failed to make much of an impact. However, the song is finally starting to gather some upward momentum as a result of increased radio airplay, the onset of summer and a sizzling batch of freshly commissioned local remixes. Which is the whole point of this post. I'm wondering what you all think of the new Australian radio edit courtesy of Todd Watson:
