Alanis Morissette covered Seal's song "Crazy" in her greatest hits album Alanis Morissette: The Collection (2005). Although less successful than Seal's original, this version was popular in nightclubs, becoming Morissette's second top ten Hot Dance Club Play hit.
"Falling Down" is the lead single by American recording artist Selena Gomez and her band The Scene from their upcoming debut album, Kiss & Tell. The song was released to Radio Disney on August 21, 2009 and later available via iTunes Store on August 25.
"Crazy" is the first single from English soul artist Seal's debut album Seal (1991). The song was one of his biggest hits, reaching the top five in the United Kingdom and the top ten in the United States. It since has been covered by several artists, including Alanis Morissette, whose version was released as a single from her album The Collection (2005).
"Look at Me" is the first single by British singer-songwriter Geri Halliwell from her debut solo album Schizophonic, after her split from the Spice Girls. It peaked at #2 on the UK Singles Chart, and at #3 in both Australia and Canada.
"Where Do Broken Hearts Go" is the fourth single from Whitney Houston's second album, Whitney, released in March 1988. The song was Houston's seventh consecutive number-one single on the Billboard Hot 100 and was ranked #35 on the Billboard Hot 100 Year-End Charts for 1988.
"Outta My Head (Ay Ya Ya)" is the first single by Ashlee Simpson from her third album Bittersweet World, released in December 2007. The song peaked at #16 on the Australian Singles Chart.
"Breathe Again" is the second single from Toni Braxton's multi-platinum debut album Toni Braxton in 1993. This R&B ballad was the most successful single released from the album. Written and produced by Babyface, the single peaked at number three on the U.S. Billboard Hot 100 and number four on the Hot R&B/Hip-Hop Songs and Adult Contemporary charts.
"Un-Break My Heart" is the second single from Toni Braxton's second studio album, Secrets (1996). The song became her second consecutive number-one single on the U.S. Billboard Hot 100 chart. Braxton won a Grammy Award for Best Female Pop Vocal Performance in 1997.
"All the Man That I Need" is the second single from Whitney Houston's third album I'm Your Baby Tonight. The song became her ninth number-one on the Billboard Hot 100.
"Need You Tonight" is the first single from INXS's 1987 album Kick. The song is the band's only single to reach #1 on the Billboard Hot 100. It also peaked at #2 on the UK Singles Chart and ultimately become the band's signature song.
"Colors of the Wind" was recorded by American singer/actress Vanessa Williams for the end credits of the Disney animated feature film Pocahontas. The song was successfully released as a single and became one of Williams' biggest hits in 1995. It went on to win the 1995 Oscar and Golden Globe for Best Original Song as well as the Grammy Award for Best Song Written for a Movie.
A lot of people are going to think the Panel has well and truly jumped the shark this week but I prefer to think of it as quality finally winning out over mediocrity. The latest champ is clearly our classiest Single Of The Week yet. It's good to see true talent and artistry finally being rewarded! Unfortunately, I can't say much about the rest of the entries. I think there are a couple of worthy tunes but it's fair to say the pickings were fairly slim - particularly after last week's bumper crop of pop gems. It seems the only thing we could all agree on is the fact that the majority of the songs are pretty shit. This week's Panel is comprised of the following usual suspects:
Nasty G's blog remains the place to visit for rare and out of print guilty pleasures and has already graced us with his presence in the past. Blake, on the other hand, is a newcomer to the Panel. His quirky blog focuses on depressing singer-songwriters but he also has a passion for pure pop and works in the music industry. Maybe he can help get our winner a local record deal!
As usual, the results are ranked from lowest to highest.
Scandipop's cheesiest performers join forces on this collaboration.
Blake: A little too smooth for Eurovision, a little too shite for radio. I think I am a little too sober to appreciate the finery of this track. Give me a few hours and I might up the score. 2/5 D'Luv: Every time I jack off into the sink, it starts off decent enough, but ultimately ends in a lackluster climax that never really reaches its full potential. That's how I feel about BWO. 3/5 Mike: Like every other single BWO has ever released, this is complete and utter shit. Poor Velvet, she's not only hit the bottom of the barrel but crashed right through it. 0/5 Nasty G: OK, so I may have to surrender my gay card, but I have tried in vain to get into this group (and their truly abysmal precursor Vacuum *shudders*). THIS is the phoenix that arose from the flagrant flames of Army Of Lovers? They're like Alcazar without the primordial pussy. Oh wait, I'm wrong, Velvet is in this too. Barely. Left there left later. 2/5 Paul: Love, love, love BWO. One of the best pop groups of the past 5 years, up there with McFly and Girls Aloud (and Same Difference). The addition of Velvet and a gentle remix probably makes it more radio friendly for the UK than the album version and it doesn't lose any of the charm. Brillo. 4/5 Tommie: Oh look - Sweden's most dire group returns to flop yet again and this time they're taking Velvet down with them! I'm sure Alexander Bard will continue to lie his ass off in Swedish media about how big they are in the UK when they get their third #69 "hit". 0/5 Total: 11/30
The Saturdays unveil the lead single from their second album.
Blake: I've heard a lot about these lasses without ever being compelled to listen to them. This track doesn't really change that, but their voices are strong and chorus suitably climatic. I wish it made my brain explode just a tiny bit more though. I also can't quite shake the feeling it is an inferior "When Love Takes Over". 3/5 D'Luv: Lametards shot glitter out of their panties over Jordin Sparks' "Battlefield" when they should have saved the enthusiasm for this dark jam. Forever has only just begun for these five broads! 4/5 Mike: Did Nasty G just imply that Girls Aloud have charisma? Computer says hell no! As for The Saturdays - when did they become so... dull and boring? This makes their stripper anthem "Work" sound like a Grammy award winning masterpiece. 0/5 Nasty G: Hooray, they're back! Um, when did they go away exactly? Nice enough tune, though somewhat reminiscent of something Jordin Sparks would reject, on account of her apparent aversion to shaking her fat ass. But I do fancy these jailbait-Girls-Aloud-minus-charisma. 3/5 Paul: I am so beyond disappointed with this single. It's not even that it's bad, it's just what has been threatening the Sats career from day one - a distinct lack of definition and personality. Part "Battlefield", part Anastacia, wholly disappointing. And I absolutely did and still do want to love this but to use the vastly over used saying, epic fail all round 1.5/5 Tommie: The ShaTURDays are back with a Kelly Clarkson reject! Yawn. I guess they are better than Girls'R'Foul though. 1/5 Total: 12.5/30
This popular German diva has obviously been listening to "The Fame". A lot.
Blake: Fighting the urge to comment on that hideous purple hat, I'll instead just make mention that this track doesn't really... go anywhere. I do respect her sassy head movements in the clip, though. 1/5 D'Luv: There's only one reason Linda should be opening her mouth. And it ain't singing. 0/5 Mike: Poor Linda looks like she's been styled by a blind tranny with a passion for shopping at Supre but this Lady GaGa rip off is irritatingly catchy. More cheap and cheerful trash of this "calibre" and Linda could have a new australian fan. 3.5/5 Nasty G: In terms of German singers, Sarah Connor has her beat by a nose. Literally. Though it's fun pop, the title should be "Reprogram My Song", as we've heard this before, even from the handsome Ms. Connor. But compared to the rest of the drivel in this week's panel, this is a standout, much like Sarah Connor's proboscis. 3.5/5 Paul: God, I want to give her zero just for ripping off Lady Cuckoo. It's clearly the personality and annoyingness of the Cuckoo that puts me off "The Fame" as I've come to accept "Evacuate The Dancefloor" and "Silly Boy". This really isn't any different but not any better, so it gets a middling 2.5/5. Tommie: And here I was thinking Lady GaGa looked like a tranny! The song is alright, but there's about a thousand other similar songs out there today that do the job better. 2/5 Total: 12.5/30
This super classy American electro outfit have "scored" a Paradiso Girl to star in their clip. How A-list!
Blake: Eh? I'm not entirely sure if I am supposed to dig this or not. I'll go with not. 1/5 D'Luv: Yeah, I know these two are uncle and nephew, but they need to just boink already. This songs has been getting considerable airplay in L.A. for the past few months. It's just okay. 2.5/5 Mike: Since when is it ok for straight men to team a pink t-shirt with leopard skin print leggings? I know trannies who would draw the line at that ensemble! Americans usually get electro all wrong but this is fun. 3/5 Nasty G: So, I hated this group on sight but inexplicably downloaded their album anyway. Don't hate me when I say I dig it. It's cheap and easy, but then, so am I. More importantly, lovely Chelsea from the Paradiso Girls is in the vid. Sister gets around more than Clay Aiken in a public restroom. I am so glad that she lost the Pussycat Dolls gig, or otherwise she wouldn't be available to dance feebly in bad clothes and do little else in high class vids such as this! Take that, Asia! 3/5 Paul: Dreadful. 0/5 Tommie: I loathe the name "LMFAO" - in fact, I think internet abbreviations should be banned from pop music. Period. But there's no denying that this is an annoyingly catchy tune and I can overlook their crap name for this song at least. 3/5 Total: 12.5/30 Agent X ft. Mutya & Ultra - Falling (Above)
The only Sugababe (past or present) worth mentioning returns to put Amelle in check!
Blake: Sadly, it appears she is still floundering without Siobhan. I appreciated her track with Groove Armada (mainly because it taught me how to pronounce her name) but this is terribly pedestrian. She needs to drive a little more erratic. 1/5 D'Luv: Mutya hasn't been good since Groove Armada rode her hard and threw her in a dumpster. 0/5 Mike: The realest girl in UK pop is back - albeit with a strange garage anthem straight outta 1997. I hated this the first time I heard it but "Falling" is strangely hypnotic. Mutya is probably using her crazy voodoo powers on us. A grower not a shower. 4/5 Nasty G: Ugh. Is UK garage seriously making a comeback? Why didn't anyone tell Misteeq's Su-Elise? Surely she would have added SOMETHING to this song (and could use the work). It's hard to make mutty Mutya boring, but Agent X and their gay little sidekick Ultra have managed. Watch out Ms. M. More of this and Amelle is definitely my number one. 2.5/5 Paul: I'm still waiting for Mutya to hit the world with the massive pop career I know she can have. Teaming up on a generic club banger really isn't the way to go, although she still looks entirely fierce and still gives the impression she could rip off your head and shit down your neck soon as look at you. So I'll add a point on to avoid her wrath. 2/5 Tommie: The UK Queen of Real is back and better than ever! I love that she's paying homage to when the Sugashits were good by sampling "One Foot In". 4/5 Total: 13.5/30
James DeBarge's ho daughter follows her US top 20 hit "Goodbye" with this slut jam.
Blake: Good voice - some great rich tones. I dig that. The piano backing to this track is quite nifty too and I like how it kicks into the chorus. She is no Jessica Mauboy, but it is solid. 3/5 D'Luv: Kristinia takes boring to whole new levels. Hopefully she at least gives somewhat exciting head. 2/5 Mike: Yawn. I don't mind this, it's just been done before (and a lot better) by Jessica Mauboy. Kristinia should cover "Rhythm Of The Night". She wishes she was one tenth as fierce as her father. 2/5 Nasty G: All of the right elements are here – blandly pretty girl, minimal vocal talent, weak dance beat, bad dance moves and Sam Fox's "Touch Me" -era wardrobe. So why am I unmoved? I think it's because I know that her auntie, the severely underrated Bunny, had the same qualifications but would have rocked this so much harder. Look out Toy, cause Bunny's ready for a comeback. Mark my words, bitches! 2.5/5 Paul: While I love a good ho as much as the next red blooded male, this doesn't really stoke my fires. In fact I'm grossly disappointed that she has failed to get a rise out of me with this tune. I'm obviously not as trashtastic as I once thought I was. 2/5 Tommie: Dear Whoever-Is-In-Charge, can we please stop pretending that Kristinia can a) dance or b) play the piano? Otherwise a decent pop tune. 3/5 Total: 14.5/30
Despite flopping with this in Australia last year, The Temper Trap are currently celebrating an unexpected UK top 40 hit with their hyped debut single.
Blake: Aussie lads poised to take over the world? A lot of work (read: money) has gone into these boys, and I do like their smooth sounds. I wish this song had a bit more guts and a bit more to make it stand out from the standard post-indie-pop smattering that is currently throbbing worldwide. Maybe the next single will be the one. 2/5 D'Luv: If I did drugs, this would be astounding. Alas... 2/5 Mike: I've had "Sweet Disposition" on high rotation for the best part of a year and I still love it as much as the first time I head it. Dougy's voice is amazing, the lyrics cut straight through me and the atmospsheric soundscape is beautiful. The perfect soundtrack to semi-sexy times! 5/5 Nasty G: What have we here? An Asian singer in a non-Asian band? Is that legal? Well, I say brava! But that still doesn't make this any more than a subpar attempt at mimicking MGMT, like approximately 5,000 other bands at the moment. I should like it, but I say meh. 2/5 Paul: I sat for a couple of minutes twiddling my thumbs while I was waiting for this to start, and then I realised it had started and was actually quite good. I love it when someone sneaks up and takes you by surprise from behind. It's very pleasant indeed when that happens. So hurrah for the Temps. 3.5/5 Tommie: I actually like the backing track, but the vocals are quite jarring. 2/5 Total: 16.5/30
The Queen of American pop finally releases "Body Language" complete with a stunning rap courtesy of husband Spencer.
Blake: I liked this a lot more than I thought I would. Sure, part of me wished it was sung by Holly Valance - but this gal will do nicely in the interim. I'm not quite sure what the deal is with the white-boy rap, though? 4/5 D'Luv: I want to point out that The Saturdays already rocked this Yaz sample last year. And I want to rail against Heidi's thin warble. But... can't... stop... listening! The classiest jam in all of Heidi's stunning catalog thus far. 3/5 Mike: Fuck single of the week - this is in the running for single of the year! I've been ranting about Heidi's stunning musical ability for ages but everyone thinks I'm joking. She is media whoring filth of the lowest common denominator but her music is better than Britney, Robyn and Annie combined. Fact! 5/5 Nasty G: Oops, I just jizzed on my keyboard! Finally! Though I applaud that the song itself recycles Paris Hilton's unretouched vocals and a very tired Yaz sample, I must acknowledge her sensational Miss Universe performance of this, where she dutifully reused Britney’s old wardrobe, Lene Alexandra's stellar dance moves and a blow-up doll's hair. How apropos that she chose Miss Universe for her live debut, since that's what she'll be ruling with her obvious talents. 5/5 Paul: Apparently according to her fugly husband, she has inherited the spirit of Michael Jackson and is going to be the next massive worldwide popstar. Probably not, to be fair, but this isn't an entire disaster. It's a bit Kylie, a bit Cathy Dennis and a bit shit (the rap is dreadful and hilarious at the same time) so it goes from cheese meets cool pop to novelty record within about 2 mins. But always entertaining. 3.5/5 Tommie: Queen Montag über alles. 5/5 Total: 25.5/30 Source URL: https://popmusicrecords.blogspot.com/2009/08/ Visit pop music records for Daily Updated Hairstyles Collection
"It's Raining Men" is the first single from Geri Halliwell's second solo album, Scream If You Wanna Go Faster (2001). The song was also featured on the soundtrack to the film Bridget Jones's Diary. It debuted at number-one in UK Singles Chart and stayed there for two weeks, becoming Halliwell's fourth consecutive number-one single in United Kingdom.
"Believe" is the first single by Staind from their sixth studio album, The Illusion of Progress. The song was a success on the rock charts, peaking at #4 on the Mainstream Rock Tracks. It also became their third #1 hit on the Modern Rock Tracks (for 3 weeks), after "It's Been Awhile" and "So Far Away".
"Falling Down" is the third single by English rock band Oasis from their seventh studio album Dig Out Your Soul, released in March 2008. The song debuted at 10 in the UK Singles Chart.
"So Far Away" is the second single by American hard rock band Staind's fourth album 14 Shades of Grey, released in September 2003. The song reached #1 on the Mainstream Rock Tracks for fourteen consecutive weeks, and #1 on the Modern Rock Tracks for seven non-consecutive weeks. The song was also featured in one episode of Smallville.
"Mandy" is the first single from the American pop band Jonas Brothers' debut album It's About Time. It was released as a single on December 27, 2005 and made it to #4 on TRL.
"I'm Outta Time" is the second single by English rock band Oasis, released from their 2008 seventh studio album Dig Out Your Soul. The song was written by lead vocalist Liam Gallagher and it charted at #12 in the UK Singles Chart.
"Make It Rain" is the first single released by American rapper Fat Joe from his album Me, Myself & I, released in October 2006. It features southern rapper Lil Wayne, who only sings the chorus. The song peaked at #13 on the Billboard Hot 100 and was nominated for a Grammy at the 2008 Grammy Awards.
"I'd Do Anything for Love (But I Won't Do That)" is the first single from Meat Loaf's 1993 album Bat out of Hell II: Back into Hell. The song reached number one in twenty-eight countries, including Australia (8 weeks) and UK (7 weeks). It also became Meat Loaf's first number-one single on the Billboard Hot 100 chart and on the UK Singles Chart. Meat Loaf went on to win a Grammy Award for Best Rock Vocal Performance, Solo for the song.
"The Hardest Part" is the fourth single by English alternative rock band Coldplay from their third album, X&Y, released in April 2006. The piano-based ballad song was released as a radio-only song on United Kingdom radio stations. It appeared on the U.S. Billboard Hot Adult Contemporary Tracks chart and peaked at number 37.
"Don't Turn Around" is a popular song written by Diane Warren and was originally recorded by Tina Turner in 1986. In 1994, Swedish pop group Ace of Base took a minor key version of the song to #4 on the Billboard Hot 100 and to #5 in the UK.
"You Oughta Know" is a single from Alanis Morissette's first album Jagged Little Pill (1995). The song reached number one on Billboard magazine's Modern Rock Tracks chart in the U.S. and was instrumental in launching Morissette's career. It won two Grammy Awards in 1996, for Best Rock Song and Best Female Rock Vocal Performance. However, it lost out to "Kiss from a Rose" by Seal for Song of the Year.
"Forever" is the second single from Papa Roach's fifth album, The Paramour Sessions, released in June 2007. The album debuted at #16 on the Billboard 200 Chart with 37,000 copies sold.
I've been feeling so miserable today, dealing with various dramas but someone up above has obviously taken pity on me and decided to bring a little sunshine back into my life in the form of new music from Kylie and the first preview of Goddess Toy's stunning comeback "Home". I can't believe I'm being treated to new stuff from my two favourite divas in the one day. It feels like Christmas!
I guess I should start with Kylie because unlike Toy, her song hasn't been around since 2006. Most of you will probably remember that Kylie was recently hired to record music for the most expensive Bollywood movie in history and the fruits of her fabulous labour have finally hit Youtube. I can't believe how trashtastic "Chiggy Wiggy" is! The song is so much fun. I love it when Kylie gets a bit kooky on us (see her Wiggles duet for starters) and this Indian flavoured toe tapper is about as weird as it gets. The production is beautiful and I love the trashy chorus - I wanna chiggy wiggy wit choo boy! That's not even mentioning the brilliant video clip. My girl looks amazing and probably dances more in these one and a half minutes than she has in the past ten years. The outfit and dance moves are very Beyoncé but Kylie pulls it off. I love the look on her face when Akshay arrives on the big chandelier. It's the best acting she's done since "Biodome"! I can't wait to see this in full and really hope it gets a worldwide release. I honestly believe it's catchy enough to become a novelty hit.
Moving on now to the Dutchess of Dance. Toy Toy has just unveiled a preview of her "Home" video clip and it looks suitably classy. I'm slightly disappointed that she's not at least holding a framed photo of Michael but the layers of vaseline on the camera lens more than make up for it. La Toya looks absolutely phenomenal. I can't believe she's older than Madonna - Toy could honestly pass for one of her adopted Malawi babies! My favourite part of the preview is when our queen walks along holding the candle. She looks like a supermodel and her diva strut puts Miss J to shame. I just wish she didn't look so damn happy. This is supposed to be a dedication to her dead brother not "Sexual Feeling - The Sequel"! Toy works in mysterious ways, so I guess all will be revealed when the clip debuts on the 1st of September. I can hardly wait.
"Nine in the Afternoon" is the first single by Panic at the Disco from their second album, Pretty. Odd. This song was number 44 on Rolling Stone's list of the 100 Best Songs of 2008. The music video was also nominated for a MTV Video Music Award for Best Pop Video in July 2008.
"Come Into My World" is the fourth and final single from Kylie Minogue's 2001 album, Fever. Minogue established a presence in the mainstream North American market when Fever debuted at #3 on the Billboard 200 albums chart. The song went on to win the 2004 Grammy Award for Best Dance Recording.
You do not understand how much it pains me to write something complementary about Lily Allen. I'd rather listen to Delta Goodrem's entire back catalogue on repeat than say anything nice about this dirty slag! The bitterness and rage that Katy Perry inspires in some gays pretty much describes how I feel about Lily. I hate her music, I hate her disingenuity and I particularly hate those saggy, cow udder breasts she flashes at every available opportunity. She just strikes me as the ultimate 'right place, right time' phenomenon. If Lily didn't have a famous father, I'm sure she'd still be dealing ecstasy in Ibiza right now (which doesn't strike me as such a bad fate, when I think about it) but then we'd never get the surprisingly fantastic "22".
Occasionally you hear a song and think that person gets me. Well, when I first heard "22" I thought Lily Allen had broken into my room and riffled through my diary. In fact, I wouldn't put it past that thieving bitch but there are no lyrics about La Toya - so I'm willing to give her the benefit of the doubt. It's not the first time I've felt like this. Shelley Harland's entire album evokes a similar response from me but sharing thoughts and emotions with Lily Allen? Am I that common? The answer, it seems, is yes. If you changed the gender and played around with the ages a bit this song could have been written about me. "22" perfectly sums up the emotional whirlwind of your late 20s, of feeling like you're not on track and thinking you really should have more to show for your (almost) three decades on planet earth. Oh and there's a catchy beat, whimsical production and a rather cool video (below). I'll put the first two down to Greg Kurstin and the third down to good luck.
Lily, you may have thwarted my hateration for the moment but I'll be back!
When she was 22 the future looked bright But she's nearly 30 now and she's out every night I see that look in her face she's got that look in her eye She's thinking how did I get here and wondering why
It's sad but it's true how society says Her life is already over There's nothing to do and there's nothing to say Til the man of her dreams comes along picks her up and puts her over his shoulder It seems so unlikely in this day and age
She's got an alright job but it's not a career Whenever she thinks about it, it brings her to tears Cause all she wants is aboyfriend She gets one-night stands She's thinking how did I get here I'm doing all that I can
"Heartbreak Hotel" is the second single from American R&B/Pop singer Whitney Houston's 1999 album My Love Is Your Love. The song features R&B singers Faith Evans and Kelly Price and peaked at #1 on the Billboard's Hot R&B/Hip-Hop Songs. It also received nominations for Best R&B Song and Best R&B Performance by a Group or Duo at the 2000 Grammy Awards.
"One and the Same" is a duet between Selena Gomez and Demi Lovato, co-stars in the Princess Protection Program, a Disney Channel Original Movie. The song is featured on the Disney compilation album, Disney Channel Playlist, which was released on June 9, 2009.
"Together Again" is the second single by American singer Janet Jackson from her sixth studio album, The Velvet Rope (1997). The song became Jackson's eighth number one on the Billboard Hot 100 and sold nearly six million copies worldwide. It is one of the biggest-selling singles from a female artist in the history of the UK Singles Chart.
"Smack That", featuring Eminem, is the first single from Akon's second album Konvicted. The single peaked at #2 on the U.S. Billboard Hot 100 chart. It also reached #1 on the UK Singles Chart, becoming Akon's second #1 after "Lonely" and Eminem's 7th UK number one.
Zoë Badwi first rocked my world at the beginning of the decade as a member of the trashy trio of pop tarts otherwise known as Sirens. I was slightly obsessed with the group's fabulous brand of pure pop and blogged about them severaltimes over the past few years. When the band parted ways, Zoë became a fixture of the live music scene but sadly dropped off the pop radar. All that changed last year when she re-emerged with a sizzling new dance sound courtesy of TV ROCK and topped the ARIA club charts for 7 consecutive weeks. "Release Me" instantly transformed Zoë into Australia's hottest dance diva and there's been no stopping her since. Our new Queen of Clubs (sorry Dannii) subsequently scored another top 10 club smash with "Don't Wan'cha" and is currently putting the finishing touches to her debut album. The thing I admire most about Zoë - well, apart from her music and killer dance moves - is the fact that she's such a trooper. She's been plugging away at her craft for the best part of a decade and is only now starting to reap the rewards. I was lucky enough to ask Zoë some questions recently about her colourful career path and future plans. Check it out.
Hey Zoë! I thought I'd start by asking how you got into the music business. Who put Sirens together? Wasn't 90s icon Merril Bainbridge involved somehow? Well I started out with a DJ called Mark John doing house music. Then one of my roomates went out with Angie from Sirens. He said they had been looking for someone for 2 years. So I auditioned! It came down to myself and another girl but I got it! YAY! Merril was one of our managers and she wrote "Like Fire, Like Rain".
I think that song and "Give A Little Love" are forgotten pop gems. What do you make of them today? The foam party video for "Like Fire Like Rain" is pure class! I had a ball in the film clip "Like Fire, Like Rain" - an 18 hour day in a car wash! Great dancers, great director. That is my fave clip!! "I'm So Excited"was the group's biggest hit. Was getting 2nd billing to Sara Marie an insult? I hope she at least taught you how to bum dance. Haha we did have to bum dance. I didn't mind the second billing cos it wasn't something we were looking at doing. After we did the theme song for the first Big Brother series, they approached us. We thought about it long and hard but she was so much fun to work with, we thought why not!
Are you still in touch with any of the other girls? Angie releasedher own singlea couple of years ago but seems to have dropped off the face of the earth. The other 2 girls are married with babies now. I didn't know Ange brought out a song. I will have to ask her about that one. Good researching by you! We keep each other informed on the big things in our lives. We shared some great moments so we will always have a bond.
What did you do between Sirens and your re-emergence with "Release Me". Did you ever feel like throwing in the towel? Tell us a bit about Black Dogs. Never ever thought of throwing in the towel! I love it too much! After Sirens I was still working with DJ Mark John and joined a house band called Black Dogs. I am still with them now. I have a blast with the boys. We have another male vocalist Andrew De Sliva, bass, guitar, congas and Mark John driving the beats from the decks.
How did you get involved with TV Rock? They seem to have taken you under their wing. Grant came and watched my band play one night. After he asked me if I write my own songs. I told him I do. He said he would send me a couple of beats to see what I could come up with. I wrote "Release Me", sang it to them and they loved it! Thank goodness, I say haha. Yes, TV Rock have been good to me. We work well with each other. It is hard to find people who just get you musically and we get one another. I am lucky they found me.
"Release Me" was absolutely huge in the clubs. When you recorded it did you have any idea it would be that massive? Ha! I had no idea!!! It was just something that was on my mind. I was constantly singing it. I remember the first time I sang it out. People were dancing about but now they sing it back louder than I do! I love it!
Given its club success, were you surprised that it didn't quite cross over? I was sure you'd be giving Pink and Britney a run for their money on Video Hits! It got a fair bit of radio play. Channel V and MTV played the film clip but I am not sure I could imagine it on Video Hits!? Even though I would have loved it! There is more to come so you never know....
The song has been picked up by a UK label and is already a club hit over there. Do you know when it's being released? Will you be going over to promote it? It was released 2 weeks ago and it is at number 10 in the UK club charts!!!! I cant believe it!! So exciting. I just got back from London last night. I had some meetings and all is looking good. I sang in Beijing and Mykonos with great feedback about my tracks - keep ya fingers crossed for me!
Your latest club smash"Don't Wan'cha"is currently riding high in the club charts. Can we officially crown you Australia's new queen of dance? Yes, it's going well! I am always suprised, I think its number 7 at the moment. I'm very happy with that! Ha! Australia's queen of dance!? I'll take that hahahaha. Oh mum will be proud!
The "Don't Wan'cha" artwork is.... very different. Did you draw it yourself after a big night on the tiles? Hahahahaha I wish I could draw! I love the artwork because it is different and a bit rough!
Are you working on an album? Will it feature more club anthems or will you mix it up and throw in some more commercial pop tunes? I am working on an album. I have about 5 or 6 tracks almost finished. And one of them is a bit of a pop tune, still with a club edge but I do wanna mix it up a bit.
I hear you're considering doing a cover version. I thinkLa Toya's "Sexbox"would be fun! Ha! That is so funny that film clip! Maybe not that song - but keep the suggestions coming!
What have you been up to in Mykonos and Beijing? Singing! Laughing and tanning. Meeting up with some of the big wigs like David Guetta, Martin Solveig and Axwell. I have been travelling with Grant Smillie from TV Rock. It has been such an amazing experiance singing my songs all over the world!
What's been your biggest diva moment? I am no diva. BUT one place I play at sends me limos filled with my favourite drinks, fresh lemons and limes. Has 12 red roses waiting for me! A security guard that walks me to the bathroom and waits for me haha - it is just lovely.
I've seen you perform at the Big Gay Out and Arq. Why do you think you connect so well with the gays? I put it down to your killer dance moves. Haha oh my dancing. I honestly didn't realise I move that much!? Then I see videos back and think to myself "Oh Zoe, put it away"! Haha! I have had great support from the gay communitity, but I couldn't be happier with that. They are the ones who dance like nobody's business and know all the words! They say if you make it in the gay community you can make it anywhere!
Good luck with "Release Me" in the UK. I hope it's huge for you. Thanks so much for your time. Thanks you for having me! Keep your eyes peeled for my next single. I will give you the scoop...... It's called "In The Moment".
Check out Zoë's Myspace to learn more about this amazing diva. Make sure you watch the glamorous "Release Me" video clip (below) filmed live at this year's Sensation NYE party.
"My Band" is the first single by the rap group D12 from their second album D12 World, released in 2004. The song is a parody of the false concept that Eminem is the lead singer of the "band" D12. To date, the single is the group's most successful, reaching #2 in the UK, #6 in the U.S. and #1 in Australia.
"Get Sexy" is the first single from the English all-female pop group Sugababes yet untitled seventh studio album. The song is the group's twenty-fifth single overall, but the first to be released in the US since "Hole in the Head" in 2004. The song is scheduled to be released digitally on August 30 2009 and physically the following day in the UK.
"Funhouse" is the fifth single from Pink's fifth studio album, Funhouse. The song became Pink's 5th consecutive #1 single on the Australian Airplay Chart, with all 4 previous singles (including "So What", "Sober", "Please Don't Leave Me") from Funhouse peaking at number one too.
"Purple Pills" is a hip-hop single by D12 from their 2001 debut album Devil's Night. The song achieved notable success, reaching #2 on the UK Singles Chart and #19 on the U.S. Billboard Hot 100 Singles Chart.
"The Hand That Feeds" is the lead single by Nine Inch Nails from their album With Teeth (2005). The song stayed at #1 on the U.S. Billboard Modern Rock Tracks for five weeks, the highest charting song by the band to date.
"Trading Places" is the third single from American R&B singer Usher's fifth studio album, Here I Stand, released in September 2008. The song reached #4 on the U.S. Hot R&B/Hip-Hop Songs chart and #45 on the U.S. Billboard Hot 100.
"I Believe in You (Je crois en toi)" is a duet between Céline Dion and Il Divo. It was released as the third and last single from Dion's On ne change pas album and the first single from Il Divo's Ancora. The song was featured on the official 2006 FIFA World Cup album, called Voices from the FIFA World Cup.
I haven't written a lot about Katy Perry on this blog - mainly because every time I mention her name I get shouted down by rabid haters throwing around accusations of rampant publicity whoring and homophobia. One day I'll write a post addressing that rubbish but it will have to wait until I have more time because that's going to be quite an essay. In the meantime, I'll stick to raving about Katy's amazing Australian tour EP - classily titled "Hello Katy". With physical singles harder to find than hits in La Toya's discography and iTunes now charging $2.19 for a fucking download, EMI has bucked the trend and delivered an absolute smorgasbord of Katy Perry goodness for a very reasonable price. I'm not sure how many copies the EP will sell (given how hard it is to find) but I have no doubt the label will more than recoup its investment in goodwill from fans. Which is a valuable asset in and of itself.
Unfortunately, I couldn't attend Katy's tour but this is a great little souvenir. I love the cover art and the tracklisting is very generous - if a little hit and miss. The EP kicks off with a couple of quirky covers. A lot of acts have interpreted MGMT's "Electric Feel" (including my future husband Andy Bull) but Katy's version is one of my favourites. It strips the song back to basics and puts all the emphasis on Katy's voice, which is considerably sweeter than usual. "Electric Feel" is followed by a similar re-imagining of Sam Sparro's "Black & Gold". I don't like this as much, possibly because I find the original so grating. Next up is "I Think I'm Ready", which most fans will know as a "One Of The Boys" bonus track. The song is very cute and shows Katy's softer side. I guess the same could be said for the acoustic version of "Thinking Of You", which is one of the standouts from her album. Say what you want about her but the woman can sing and knows how to knock out an insightful lyric.
The rest of "Hello Katy" is comprised of remixes of varying quality. Calvin Harris has been on fire in 2009 but his remix of "Waking Up In Vegas" is the worst kind of noise pollution. The Dr. Luke & Benny Blanco mix of "I Kissed A Girl" fares considerably better and I'll definitely be whipping this out at my next faux lesbian themed house party. Bimbo Jones are a Nicki French remix away from being the new Almighty but I love their particular brand of low brow dance trash. I prefer the original but their take on "Hot N Cold" is also pretty irresistible (below). The EP concludes with a fairly tame mix of "Ur So Gay" - the song that put all the gays off side in the first place. I still find it completely inoffensive and think it makes a fitting conclusion to a fun collection of not-so-rare Katy rarities! Well done, EMI. Source URL: https://popmusicrecords.blogspot.com/2009/08/ Visit pop music records for Daily Updated Hairstyles Collection
"Truly Madly Deeply" is the third single by Australian pop band Savage Garden from their 1997 self-titled debut album. The song is considered to be the best song throughout the run of the duo and is considered their signature song. In 2008, The song was listed at #30 on Billboard's All Time Top 100.
"I Will Not Bow" is the first single from rock band Breaking Benjamin's 2009 album Dear Agony. The song will be released on iTunes on September 1, 2009. It will also be featured on the new Bruce Willis film Surrogates.
"To the Moon and Back" is the third single by Australian pop duo Savage Garden from their self-titled debut album, released in 1996. The song peaked at #24 in the U.S. and also debuted at #3 in the UK, becoming the duo's biggest UK hit.
"Ignorance" is the first single from Grammy-nominated American rock band Paramore's upcoming third album, Brand New Eyes, set for a September 29, 2009 release. It is the band's eighth US single and ninth UK single. The official music video aired on all MTV platforms, networks, and websites on August 13, 2009.