"Request + Line", featuring Macy Gray, is the fourth single by American hip-hop group The Black Eyed Peas from their 2000 album Bridging the Gap. The song gave them their first top forty hit in many countries worldwide. It was also their first single in entry to the U.S. Billboard Hot 100, peaking at #63. The song performed the best on the U.S. Billboard Hot Rap Singles chart where it peaked at number two.Source URL: https://popmusicrecords.blogspot.com/search/label/Black%20Eyed%20Peas Visit pop music records for Daily Updated Hairstyles Collection
"Don't Stop the Party" is the third single by American hip-hop group The Black Eyed Peas from their sixth studio album, The Beginning. The song together with the music video was released via iTunes on May 10, 2011. It features on stage and backstage footage of the group during their 2010 The E.N.D. World Tour. The song has so far peaked at #34 on the UK Dance charts.Source URL: https://popmusicrecords.blogspot.com/search/label/Black%20Eyed%20Peas Visit pop music records for Daily Updated Hairstyles Collection
"Imma Be" is the fifth single by The Black Eyed Peas from their fifth studio album, The E.N.D. Initially released as a promotional single, the song went on to receive a full release in May 2010. It went on to become the third single from the album to peak at number one on the U.S. Billboard Hot 100. There is also a collective montage with the fourth single "Rock That Body", titled "Imma Be Rocking That Body" totaling ten minutes long.Source URL: https://popmusicrecords.blogspot.com/search/label/Black%20Eyed%20Peas Visit pop music records for Daily Updated Hairstyles Collection
There really was no shortage of shit to choose from when it came to selecting 2010's worst albums. Kings Of Leon's "Come Around Sundown", MGMT's "Congratulations" and all 147 of Tea Tea's mixtapes deserve recognition for lowering the standard of modern music but I decided to stick with mainstream pop acts for this countdown. It's a bit of an odd bunch - bad albums from acts I usually love, crap albums from crap artists and just about everything in between. I know some of these disasterpieces have been massive sellers and spawned numerous hit singles but that doesn't make them good. It just makes us gullible and record companies even more sinister than we give them credit for. As for the year's worst album - I'm sure we can all agree that pop music has finally scraped the bottom of the barrel. So what other stinkers are missing from the list? Who have I unfairly written off as gutter trash? Let me know what you think!
10. Speak Now - Taylor Swift
I really don't care if 3 million devout teenage Christians hocked their commitment rings to buy "Speak Now" for Christmas. It's a breathtakingly self-indulgent, monotonous vanity project plagued by trite Hallmark card lyrics and the inescapable fact that Taylor can't really sing. The admittedly cute and surprisingly catchy "Mine" is the standout track but it's hard to pick a 'lowlight' because all the songs sound the same to me. If pressed, I'd have to go with "Innocent" - her delusional response to Kanye. Bitch, please. The man stole your fucking microphone at a pointless awards ceremony. He didn't run over your dog or break up with you via Facebook. Get a fucking grip and move on!
9. Body Talk Parts 1 & 2 - Robyn
Robyn is so frustrating. When the Swedish eyesore gets it right, she lifts pop music to previously unimagined heights. The rest of the time I just want to slap her and ask for a refund. Her 2005 masterpiece was always going to be a hard act to follow but lowering expectations by releasing a trilogy of dodgy EPs wasn't exactly a masterstroke. "Body Talk Part 1", in particular, is a hot mess. How can you go from the sublime "Dancing On My Own" and beautiful "Cry When You Get Older" to try hard electro rubbish like "Fembot" and "Don't Fucking Tell Me What To Do"? I hoped the sequel would be an improvement but it turned out to the musical equivalent of "Sex & The City 2". Sure there are some good moments ("Love Kills" and "Hang With Me") but it's mostly just embarrassing shit tailor made for non-discerning gays. The "Body Talk" era ended on a high with the fabulous third instalment but why didn't she just spend a year getting the album ready instead of tarnishing her legacy with these glorified demos?
8. The Beginning - Black Eyed Peas
I love the Black Eyed Peas and worship at the Fergalicious alter of Stacy Ferguson but even I have to draw the line at "The Beginning". This shit sounds like it was thrown together in 2 days on Skype. The band has a knack for clever hooks and catchy samples but the laziness on display here is mind-boggling. "The Time (Dirty Bit)", for example, is shameful on so many levels but mostly for the fact that it could have been brilliant if they had treated the original with a bit more respect. And then there's my other major gripe - Fergie's suspiciously minor contribution to proceedings. Is will.i.am pressed that The Dutchess is an global phenomenon while he's been reducing to working with Cheryl Cole? Or did they just jazz up his shelved solo album to save time? Whatever. I'm unimpressed and want my money back.
7. Can't Be Tamed - Miley Cyrus
This sad flop needs to pull the plug on her pop career. Miley's attempt at reinventing herself as a dance diva was an epic fail on every level. Her voice and autotune do not mix and she lacks the attitude and sex appeal to sell the songs, which, admittedly, were pretty shit to begin with. Seriously, Lisa Scott-Lee called (reverse charges) and wants her B-sides back! I don't get it. Her Hannah Montana sidekick Emily Osment pulled together a fun pop album on the fumes of an oily rag. Yet Miley has more money than anyone and still can't buy herself a hit. Time for an album of duets with daddy, I think.
6. Sweet 7 - Sugababes
I'll let Mutya take this one:
5. Tapestry - Marcia Hines
I LOVE Marcia Hines and pretty much stan for everything she has ever released including her hysterical album/self-help book of inspirational ballads "Life" but this shit is on the nose. There's nothing wrong with the individual songs. Marcia sounds amazing as always and has been covering some of the tracks at gigs for years but the sheer audacity required to re-record one of the greatest albums of all time is staggering. Seriously, who listens to "Tapestry" and thinks Hmmm, nice but I could do it so much better!
4. The Power Of Madonna - Glee
Urgh. Madonna's music is painful enough without those sad cunts from Glee rubbing their dirty spirit fingers all over it. Kudos though to Kurt and Mercedes for making "4 Minutes" an even more hellish experience than it was to begin with. Seriously, this shit is evil.
3. Loud - Rihanna
Oh look. There's Rihanna with her stupid fucking red wig and crap songs about oral sex and bondage. Isn't she just the hippest ho in the game right now? But wait. Isn't this the same pretender, who tried to reinvent herself as a dark and edgy anti-popstar on her last album - only to pull the plug when no one bought it? Yes, Riri is a big, fat fake. There's nothing wrong with being a product but it irks me that people buy into this shit when the poor man's Shontelle is actually the biggest puppet in pop. To be fair, she is a one woman hit machine. Her label has a knack for buying her hits from the hottest producers but they should ask for a refund this time around. Apart from "Only Girl" and the Eminem-lite version of "Love The Way You Lie", this is a stinking mess. I don't care what her name is or if she's a firecracker in the bedroom. Her voice is grating and she has less charisma than a roll of toilet paper. Rihanna is, without a doubt, the most overrated pop star on the planet.
2. Wall Of Soundz - Brian McFadden
This foul expulsion of noise should come with a warning sticker. Something along the lines of 'Buying this album means you're a cunt'. Brian was shit enough when he was marketed as a Mother's Day artist but his tragic electro makeover is a crime against humanity. "Just Say So" somehow topped the charts - I think Dulta opened 5,000 iTunes accounts and downloaded multiple copies - but the rest of the singles tanked and Brian was reduced to teaming up with his repugnant wife. To no avail as it turned out. If you're gagging for a bunch of autotuned to the point of parady pop tunes sung by a fat Irish bastard wearing eye make-up, then this is the album for you!
1. Messy Little Raindrops - Cheryl Cole
Amogbokpa's ruthless tormentor dropped her heinous sophomore album in 2010, lowering the bar for popular music even further in the process. I thought "3 Words" was a musical abortion for the ages but the abusive racist from that flop girlband that no one gives a shit about somehow managed to serve up an even less appealing mix of mind numbingly boring ballads and unconvincing mid-tempo urban pop tunes. Seriously, were the producers taking the piss? Upbeat tracks like "Promise This" and "Amnesia" are stomach churningly bad enough but who really thinks balladry is Cheryl's calling? She makes Uffie sound like Maria Callas on "Raindrops", while I'm convinced she phoned in her "Happy Tears" vocal while pouring over the latest copy of KKK Weekly. Even more astounding was her decision to release "The Flood" as a single. Who was she kidding? This exercise in aural torture is a definite contender for worst song of 2010 with its migraine inducing vocal and so bad they're just hideous lyrics. Although seeing it stall at number 18 on the UK singles chart did amuse me. Now that the British public has finally woken up to Cheryl's evil ways and dismissed her as a diabolical abomination against all that is good and holy, can she just fuck off? Please?Source URL: https://popmusicrecords.blogspot.com/search/label/Black%20Eyed%20Peas Visit pop music records for Daily Updated Hairstyles Collection
"Rock That Body" is the fourth international single by American hip-hop group Black Eyed Peas taken from their multi-platinum selling fifth studio album The E.N.D., first released to Canadian radio on December 15, 2009. Since it's release on March 15, 2010 in the UK, the song has peaked at #1 on the UK Dance Chart.Source URL: https://popmusicrecords.blogspot.com/search/label/Black%20Eyed%20Peas Visit pop music records for Daily Updated Hairstyles Collection
"Imma Be" is the fourth U.S. single from the Black Eyed Peas' fifth studio album, The E.N.D., released in December 2009. The song is the group's third number one on the U.S. Billboard Hot 100 from the album following their first two singles, "Boom Boom Pow" and "I Gotta Feeling". This collective montage, titled "Imma Be Rocking That Body", was filmed back-to-back as one collective clip totalling ten minutes in length with "Rock That Body" which is the fourth international single from the album.Source URL: https://popmusicrecords.blogspot.com/search/label/Black%20Eyed%20Peas Visit pop music records for Daily Updated Hairstyles Collection
"Don't Lie" is the second single from the Black Eyed Peas' fourth album Monkey Business, released in August 2005. The song was nominated for Best Pop Performance by a Duo or Group with Vocal at the 2006 Grammy Awards. It peaked at #14 on the U.S. Billboard Hot 100 and #6 on the UK Singles Chart. The song is the group's biggest hit to date in Latin America.Source URL: https://popmusicrecords.blogspot.com/search/label/Black%20Eyed%20Peas Visit pop music records for Daily Updated Hairstyles Collection
Earlier in the week I was discussing the validity of the ARIAs with a friend and made an off the cuff remark about the Grammys being even worse. Well, the joke's on me because this year's nominations are the best in recent memory - if not ever. Instead of selecting the usual suspects, the voters have moved into the 21st century and rewarded the biggest names in popular music. I'm ecstatic that Beyoncé leads the pack with 10 well deserved nods but also very happy that Lady GaGa, The Black Eyed Peas and Taylor Swift have been recognised for their achievements. Those four acts have shaped the charts around the globe in 2009 and all bring something different and exciting to the mix. I would have liked to see Whitney Houston score some nominations but the academy have clearly decided to look forward instead of backward. I guess she can take some solace in the fact that "I Look To You" has just sold its one millionth copy in the US. Anyway, here are my thoughts on some of the more important categories.
Record Of The Year
Halo - Beyoncé I Gotta Feeling - The Black Eyed Peas Use Somebody - Kings Of Leon Poker Face - Lady GaGa You Belong With Me - Taylor Swift
What an incredible line up! I can't remember ever liking all 5 nominees in this category. My choice is "Halo" (it's my favourite song of 2009) but I think the four pop anthems might cancel each other out - giving "Use Somebody" a slight edge. In any case, there will be a deserving winner.
Album Of The Year
I Am... Sasha Fierce - Beyoncé The E.N.D. - The Black Eyed Peas The Fame - Lady Gaga Big Whiskey And The Groogrux King - Dave Matthews Band Fearless - Taylor Swift
Beyoncé deserves this. "I Am... Sasha Fierce" is a career defining work that raised her from A-Lister to undisputed superstar. However, I'd be almost as happy if Lady GaGa won. "The Fame" is patchy but still contains 6 or 7 of the best dance-pop songs recorded in the past couple of years. My third choice would be "The E.N.D.", which I love. I don't think the Peas get enough recognition for their chart domination and this would be a nice pat on the back for actually selling records in a dying market. I don't mind "Fearless" either but Dave Matthews? Bitch, please.
Song Of The Year
Poker Face - Lady GaGa Pretty Wings - Maxwell Single Ladies (Put A Ring On It)- Beyoncé Use Somebody - Kings Of Leon You Belong With Me - Taylor Swift
"Poker Face" Vs "Single Ladies (Put A Ring On It)". How do you split two of the decade's most iconic pop songs? Call this a tie.
Best Female Pop Vocal Performance
Hometown Glory - Adele Halo - Beyoncé Hot N Cold - Katy Perry Sober - Pink You Belong With Me - Taylor Swift
Wow! Another stellar line up. What is this - the MTV awards? For me this is a battle between "Halo" and "Hot N Cold" but I have a strange feeling that Adele might be more to the academy's liking.
Best Dance Recording
Boom Boom Pow - The Black Eyed Peas When Love Takes Over - David Guetta & Kelly Rowland Poker Face - Lady GaGa Celebration - Madonna Womanizer - Britney
And the winner is Lady Gaga. Or at least it should be. However, I'd love to see Kelly Rowland win something and "Boom Boom Pow" is amazing in its own annoying way. No comment on the other nominees.
The rest of the categories aren't as much fun. I hope Beyoncé wins Best Female R&B Vocal Performance and Best R&B Song for "Single Ladies" but she faces stiff competition from Jazmine Sullivan and Melanie Fiona in the former and Maxwell in the latter. It's also nice to see Beyoncé's ode to big cocks (ie. "Ego") snag a nomination in the Best Rap/Sung Collaboration category but I think the prize will go to either "Knock You Down" or "Dead And Gone". With all the attention being placed on "Sasha Fierce", it's easy to forget that two of Beyoncé's nominations come from the amazing Cadillac Records Soundtrack. Her lovely interpretation of "At Last" is in the running for Best Traditional R&B Vocal Performance but I'm much more excited about "Once In A Lifetime" being nominated in the Best Song From A Movie category. I suspect "Once In A Lifetime" is actually a "Sasha Fierce" reject but don't tell the voters. The song is another stunning Amanda Ghost collaboration ("Disappear", "Ave Maria" and "Satellites") and has been a favourite of mine since seeing Cadillac Records. I love the 60s soul flavour and Beyoncé's vocal is truly beautiful. Check it out below: See the full list of nominations here.Source URL: https://popmusicrecords.blogspot.com/search/label/Black%20Eyed%20Peas Visit pop music records for Daily Updated Hairstyles Collection
I really can't believe this is the 20th Pop Panel. I'll do something a bit special to celebrate that semi-disturbing achievement next week but I'm still buzzing about actually having a great winner for a change. My faves don't usually win but they came in first and second this week, so I think I should go and buy a lottery ticket. As for the rest of the field, well it's pretty fucking boring. Particularly the disgusting excuse for a pop star that came in last. Seriously, I'll need to disinfect Pop Trash Addicts after featuring that SKANK WHORE on my blog! Ok, rant over. The following bloggers helped me determine our 20th single of the week:
Ken's blog is treasure trove of news, information and fabulous pop reviews. I highly recommend it to everyone! As usual, the results are ranked from lowest to highest.
The biggest CUNT in pop finally releases her long threatened KKK approved debut solo single.
D'Luv: Christ. I finally have to sit down and listen to this song? Oh, wait — she's wearing vinyl leopard print. Ah, well... Not bad. Somewhere between boring and brilliant. 3/5 Ken: Oh oh, Cheryl. I've been a solid fan of Girls Aloud from the beginning but I'm surely not sure about Cheryl going solo. As I've said before, the single doesn't give anything but a generic love pop song. It's definitely not something we'd be stunned or shocked about it being so unique and fresh. The video is good but it's still very uncertain of her eligibility for solo superstardom. 3/5 Mike: How many black toilet attendants had to be beaten in order to make this utterly vile piece of trash? I'm disgusted and appalled by each and every second of this monstrosity. -5/5 Paul: Well, she may well be my least favourite Girls Aloud but I really was expecting this to be a lot better than it is. I would have begrudgingly admitted that she had done quite well and probably secretly enjoyed the song. This though, well it's just so bleh. Just putters along as Cheryl tries ever so hard to sound a bit R'n'B and gruesomely fails. The lyrics might have connected a lot better with the public if she had released it 2 years ago when Ashley was wanging his knob around town. Dull, dull, dull - although an excellent choice of comeback song (along with "Beat Again") for Chris Brown... 1.5/5 Poster Girl: There's definitely something sweet about this American-sounding pop-R&B song, right down to the music box notes that creep in to join the synths, but joined with Cheryl's voice, it comes across as pretty blandness. Of course, if Jesse McCartney released it, I'd probably be raving about it. 2/5 Rob: I love this. It's clear Cheryl has realized what she can do and more crucially what she can't. This slice of urban-lite pop will go down well today but if you listen to the No Angels new album you'll realize this might be been one of their rejects. It's nothing unique, original or special but it's sweet and isn't as offensive as it could have been. 4/5 Tommie: Ugh, where did this talentless WHORE find this track? In Madonna's "wanna-sound-like-Rihanna" reject bin? WHOREribble. "Fight For KKK" has to be the worst track ever! -5/5 Total: 3.5/35
X Factor rejects follow up their #1 hit "Beat Again".
D'Luv: Abysmal. 0.5/5 Ken: I'm actually not surprised on how this one sounds. I unconditionally love 'Beat Again' before and I have to admit, I've already been a fan of them after just one single. The outcome of the song is actually very predictable, you know, the typical 'boy band' song that they should sing. This is the epitome of what a boy band should be nowadays if they want recognition. I so want JLS to succeed and I think 'Everybody In Love' is a brilliant choice. 4/5 Mike: And I thought "Beat Again" scraped the bottom of the barrel. 0/5 Paul: Ah, for me, the real winners of last years show. "Beat Again" wasn't anything outstanding but it was slickly produced and eminently likeable. And so is this although far more generic boyband than "Beat Again" was. There's nothing wrong with this track per se and I do like it a lot, but I can't help but feel they could have done something a bit more daring. Marvin's arms in the video though?! Humina humina humina! 3.5/5 Poster Girl: "Everybody In Love" sounds like a song I'll have forgotten or be mixing up with other songs in a couple of years, but I wouldn't rush to change the radio station if it came on. Still, is it so much to ask for a boy band whose music is exciting? 3/5 Rob: Another Level anyone. Boring. 0/5 Tommie: I'm sure the teenage girls will cream their panties over this, but it's really not for me. It does remind me a bit of that 90s boyband sound though... 2/5 Total: 13/35
The lead single from the Canadian crooner's latest offering.
D'Luv: Seriously, has Sara Bareilles sued him yet? I'd still bang Michael Buble sideways, even though his chin disappears a little more with each album. 2/5 Ken: Ohh. This is a cute one. Never paid attention to Michael's new material and I actually regret it. Anyways, it's a feel-good song that resembles his former hit "Everything". I love that Michael's sticking to his material. The outcome is great but not that special or anything. I love the way it is done, very uplifting and meaningful. 3.5/5 Mike: I have a disturbing Michael Buble fixation. I hate his music but I would eat him up with a spoon and ask for seconds. There's no denying that this song is utter shit though. 1/5 Paul: Love the Boob! Although he may never top the career pinacle of appearing on Kath and Kim, this is a surprisingly radio friendly that reminds me of Boyzone circa 1999. It's very singable, very catchy and as always he looks rather delicious. I think the more that I hear this the more I am going to like it... 4/5 Poster Girl: Look, if you 100% hate that Rat Pack swing style done by modern performers, you're not going to like this, but this is looking to be the first Michael Buble song I buy - it's a pretty good attempt at creating a song which sounds like an old, oft-covered song of that style. I know I'm spending most of my time this week complaining about a lack of excitement and edge, but sometimes, just sometimes, a strong enough song is enough. No Westlife cover, though, please. 3.5/5 Rob: Ever so cheesy. This really reminds me of Neo (of Sweden) and Mika (of UK). Is this a totally a bad thing? No, not at all. 4/5 Tommie: No. Am I still on Pop Trash Addicts or am I getting more cracked out than Whitney? 0/5 Total: 18/35
D'Luv: Talk about someone who's made a little go a long way. This broad's voice and same-y piano tinkling are so mediocre, grating and forgettable, I can't believe how people still buy into Clive Davis' trumped-up hype for her. Waste of time. 0/5 Ken: Sounds like a re-work of "No One". Having said that, it's still okay not in the sense that it gets boring. I love that it sounds like a ballad and has a wonderful meaning. But honestly speaking, I think it isn't time for her to have a comeback. Maybe next year would be a great idea. The final word - JUST OKAY. 2/5 Mike: I'm a huge fan of Alicia's. She's an old school soul singer and really knows how to strike a nerve with her amazing lyrics. Unfortunately, this falls well short of "No One" but it's still soft and lovely. 4/5 Paul: I guess we know which song will be all over next years X Factor auditions then! It's actually quite a lovely little song with a great chorus. Simple as that. 4/5 Poster Girl: I know people talk about Alicia Keys as a good songwriter - and that because of that and her voice she doesn't need gimmicks or flashy production - but everything I've heard from her last album up to now has gone in one ear and out the other. I feel the beginning of pulling on my heartstrings as she sings the title line, but that's it. 1.5/5 Rob: I always sigh with Alicia Keys. Only because she's musically very shy. It's always the same old story. That doesn't take away the magic of the song. It's a brilliant track. Has the potential to be absolutely epic at times. Thing is, her first album set such a standard and I just don't think she's actually moved beyond that. She's reproducing the same record with every release. Is this a bad thing? The record sales would suggest the record company would scream "hell no". But I just become indifferent and rather numb despite the fact that she's providing great material. 4/5 Tommie: I'm not sure if I've been brainwashed with her writing Whitney's latest smash hit single, but this is quite good and I say this as someone who never cared for her past singles. 3/5 Total: 18.5/35 Mariah – I Want To Know What Love Is (Above)
Mimi covers Foreigner. Enough said.
D'Luv: Now, I thought I was gonna like this. But after a few listens, it just sounds like karaoke by an ok singer. Plus, it's flopping harder than Glitter here in the States. Mimi's problem is she can't decide if she wants to be an urban artist or an adult contemporary balladeer. You can't have it both ways, alas, in this fickle market. I think in the end, she's alienated her fans on either side of those genres by flip-flopping too much. Maybe she should just record her tits smacking together and hit the whistle register one last time. Surefire hit! 2/5 Ken: I was absolutely shocked when I heard she'll be making a cover of that classic Foreigner single. It's surprising that it's very different from the painful sounding "Obsessed" and she somehow returned to her glorious era. I love the way it sounded but not sure about it's commercial success. Maybe if she'll be singing more kinds of this one, then maybe I'll get back my interest in her. 3/5 Mike: Everyone knows I love Mariah but this stillborn cover is a giant snooze. I'm still giving her 3/5 though 'cause I'm terrified of irrate lambs! Paul: It's like she has unslutted herself now she has bagged the America's Got Talent dude. She's back to the wavy hair and doing big ballads that fit nicely along older tracks such as "Without You" and "I'll Be There". This could have been really syrupy and awful (and maybe it is but i'm not seeing it), however it comes across beautifully - love the key change! 4/5 Poster Girl: When Nick Lachey covered Take That's "Patience," my first thought was "good job on the part of the person in charge of putting holds on possible songs for Nick, but just because it sounds like a song he'd sing doesn't mean he should have released an unnecessary, inferior-to-the-original cover in an attempt to get his album campaign to take off." Ditto all that for Mariah, though at least her cover isn't as awful as his. 3/5 Rob: A nice cover. I like it. She doesn't do too much embellishment. A weird choice for a single but it's not gonna move mountains. 3.5/5 Tommie: I love Mariah but what is her record company thinking with reverting her back to early 90s? "I Want To Know What Love Is" is nice enough, but Mimi can do better than a cover these days. Really. 2.5/5 Total: 21/35
Last year's X Factor winner unveils her debut single.
D'Luv: Someone (Cowell, Simon) wants this to be an American hit bad. Still, it's pretty good. Much more tuneful that Keri Hilson, who Alexandra reminds me of a tad in the vid. 3.5/5 Ken: I have to admit, this track has made me change my idea of her debut. It started very slow for me and I eventually now like the track. Although this isn't my idea of Alexandra's massive debut, I'd say it did a pretty good job when it comes to likability. But I'm scared about her being just sexy and not having songs of substance. Although it's early to say that, let's wait for her album. 3.5/5 Mike: Alexandra has even less personality than Leona Lewis (if that's humanly possible) but someone has dug out a genuinely catchy chorus for her. Shame about the shit verses and disjointed rap interlude. 3/5 Paul: I really expected not to like it when it first came out, and then the utter shock that Simon Cowell had allowed an X Factor winner to release an uptempo first single "proper" sort of overwhelmed me a bit and I initially thought it was very good indeed. Time and sanity returned and it's actually not bad but not really brilliant. The Bimbo Jones mix which edits out Flo Rida is much better than the single mix. 3/5 Poster Girl: I think it was Popjustice that made the "Some Girls" meets "Womanizer" comparison, and it's one I agree with, with the caveat that "Bad Boys" sheds any darkness either of those songs in favor of pure fun. I'm always going to have a big weakness for this type of song, but I haven't grown tired of "Bad Boys" at all - in fact, it's one of the songs on my personal A-list at the moment. 5/5 Rob: I really didn't like this at first only because I think the song doesn't test her voice. But it's a rather catchy little ditty. Quite like it now. It's a grower. 4/5 Tommie: Well, at least it's different from Leona. But not as amazing as Leona, sadly. 1/5 Total: 23/35
D'Luv: Seriously, has Cyndi Lauper sued them yet? Probably the best Black Eyed Peas single ever, though, as with most of the singles from The E.N.D., I start off liking them until about their 8th week at #1, then I want to put a nail gun to my forehead. 3.5/5 Ken: Ugh. It's ugly in every sense compared to "Boom Boom Pow" and "I Gotta Feeling". I was expecting something groovy like "Imma Be" or "Electric City". It's totally boring and I don't get why they have been #1 in the US for 6 months. What's up with that? Do people actually still like "Boom Boom Pow" and "I Gotta Feeling" at this point? 0/5 Mike: This is one of the best pop songs of 2009 and clearly the standout track on "The E.N.D." after "I Gotta Feeling". I love the 80s-tastic beats and the romantic sentiment. Fergie has never sounded lovelier. 5/5 Paul: Ugh. So, so, so bored of them. I didn't particularly love their current US number one song so I'm baffled by it's longevity. This will probably be the song to knock it off the top. "Girl I travelled round the world and even sailed the seven seas"! Which greeting card did they steal that from?! 2/5 Poster Girl: Fergie's '80s-tastic chorus carries the song, but it's so good that who cares? 4/5 Rob: Amazing. Usually I would love for the boys in the band to take a total backseat and just produce the records. Let Fergie take the spotlight. But this one of their rarer singles in which the collective actually works to boost the quality of the song. Here they sound like a group. I love it. 4.5/5 Tommie: If anyone haven't gotten the memo yet - the Black Eyed Peas are on fire. Listen to it three times and try to resist it. 4/5 Total: 23/35
The 3rd official lead single from Whitney's much hyped comeback album.
D'Luv: I've said before this song is ok, and my opinion hasn't really changed much. I'm more interested in trying to figure out if Whixxxey's had anything more done to her face than botox. Something's not right there. Can't quite put my finger on it, though. 3/5 Ken: I've been actually apathetic about Miss Whitney's comeback. It's the first song I've heard from her new album and I'm actually liking it. It's actually catchy and very contemporary, I just hope she gets the right praise for this because she kind of deserves a nice comeback and 'Million Dollar Bill' is a good answer to those people questioning her abilities of pulling it off. Kudos Whitney! 4/5 Mike: Alicia Keys writes new lyrics to an old Loleatta Holloway disco classic and the result is Whitney's best single in a decade. I love the production, the lyrics and Nippy's swagger. Sublime. 5/5 Paul: Love this. Love it, love it, love it. Yes Alicia may not have done as much of the writing as she claims, but it's a glorious upbeat tune that is both elegant and understated. Great chorus that fits well into the Whitney dance canon and the freemasons mix is just heaven on a stick. 4/5 Poster Girl: Not classic Whitney, but a respectable comeback song. 2.5/5 Rob: Wow, very retro. Love it! Very Randy Crawford. 4/5 Tommie: What? An upbeat track by a 40 plus woman that doesn't sound utterly desperate to be hip? Classic Whitney and genius sample. 5/5 Total: 27.5/35
"Hey Mama" is the third single by the American hip-hop band Black Eyed Peas taken from their 2003 album Elephunk. The song reached #23 on the U.S. Billboard Hot 100 chart. The song was featured in the original iPod television commercial and it was also played in Garfield: The Movie.Source URL: https://popmusicrecords.blogspot.com/search/label/Black%20Eyed%20Peas Visit pop music records for Daily Updated Hairstyles Collection
"Don't Phunk with My Heart" is the first single from the Black Eyed Peas' fourth album Monkey Business (2005). Due to its ambiguous and slightly controversial usage of the word "phunk" in its title, some radio edits replaced "phunk" with "mess". The song peaked at #3 on the U.S. Billboard Hot 100 and was nominated in 2006 for two Grammy Awards, winning for "Best Rap Performance By A Duo Or Group".Source URL: https://popmusicrecords.blogspot.com/search/label/Black%20Eyed%20Peas Visit pop music records for Daily Updated Hairstyles Collection
"Let's Get Retarded" is the fourth single from the Black Eyed Peas' 2003 album Elephunk. Due to the perceived offensive word "Retarded", the song's lyrics were edited and "Let's Get It Started" was released in it's place. The song earned the group a 2005 Grammy Award for Best Rap Performance by a Duo or Group.
"I Gotta Feeling" is a song by the Black Eyed Peas and their second official single from their most recent album, The E.N.D.. The song first debuted on May 21, 2009, and charted at number two behind "Boom Boom Pow" on the week of June 27 on both the Canadian and U.S. Billboard Hot 100.
I'm so excited about this week's Pop Panel. The results were the closest they have ever been (less than one point separates the top three) and the winner was a total shock. It's a great song (for a change) but this is still a massive upset given the stiff competition it faced from some of the year's most hyped tracks. Apart from a surprise winner, we also have an extraordinarily fierce guest judge - the leading lady of Pop Trash, CC Martini! Australia's Queen of Pip Pop is currently doing her thing in the States but kindly took some time out to answer a couple of questions before getting stuck into voting. Here's what she had to say:
Hey CC, what have you been up to in the US?
Cooking and eating. Playing softball and getting lovin'. The simple life!
Any music news?
I am regrouping and getting ready for phase two. I've been seeing lots of bands and just getting into being a punter and also listening to lots of different stuff. I'm getting inspired. I went to see No Doubt in San Diego and I also checked out a local friend Oona who is about to blow up here check outher Myspace.
Last and least, D'Luv fromChart Riggeris on the Panel. He memorably claimed to have fucked you in McDonalds' playland. True or false?
Ha ha. Ummm, I errr, don't remember.
Classy. Thanks again for taking part!
In addition to the lovely CC, the rest of the Panel is comprised of the same riff raff as last week:
As usual the songs are listed from least to most popular. Let me know what you think of the outcome! Oh and check out CC's legendary jam "Double Dutch" if you haven't already. I never tire of this modern masterpiece! Hannah – Keeping Score (Video)
Estonia’s most glamorous pop star delivers her debut UK single.
CC: Oh dear. This is absolutely terrible! This kind of music makes me leave nightclubs early. I'm sure that Estonia has much more to offer than Hannah. -1/5 D'Luv: This is okay. A lot of these dance broads blend together, but there's some heart to this one at least. 3/5 Mike: I think everyone has been a bit mean to Hannah. "Keeping Score" doesn't reinvent the wheel but it's a sweet piece of pop fluff. I approve. 3.5/5 Pablo: If you close your eyes hard enough... it's like September. But half the quality. 2/5 Paul: I know you hate her Mike, but if this was a Rachel Stevens comeback single, it would be massively hyped by the blogs and then peak at number 10 on the UK charts. I do think this has a chorus that SAW would be proud of but other than that it doesn't really stand out for me. 2.5/5 Rob: Are we judging the Bimbo Jones Remix or the original single mix? If it's the former then it gets my backing. A nice start for Hannah but she'll need a massive chorus for her second single. If she wants to compete with the likes of Lady GaGa and Agnes Carlsson she'll have to dig deep and blow us away. I am waiting for the big epic part but it fails to give me what I want. As such it only verges on something amazing. 3/5 The Prophet: Oh God who is this, she's horrible! She looks like a skinnier version of Michelle McManus! And why do all Bimbo Jones remixes sound exactly the same?? EPIC FAIL! 0/5 Total: 13/35
The Dutch DJ recently scored a very unexpected top 10 hit in Australia with this dance anthem.
CC: I dig this. Great video too. 4/5 D'Luv: Wow, the bar's really been set low for dance anthems. 2/5 Mike: I'm guessing the majority of the panel hasn't seen the inside of a nightclub since the 90s. This is a sizzling slice of rhythmic techno. The beats are killer and I love the naughty hook. 4/5 Pablo: Erm... excuse me? 0/5 Paul: Fucking hell. Talking about dragging the depths of pop depravity. Riverside motherfucker indeed. I kept waiting for it to start in a don't bore us get to the chorus type moment. My fucking ears are bleeding. What tripe. 0/5 Rob: Fucking tragic. Too stupid for words. Why is this even in here? 1/5 The Prophet: I've never heard this before but it's pretty cool. 3/5 Total: 14/35
The debut single from last year's X Factor rejects.
CC: Ha ha ha. I laughed at the cliche of this boy band pop song but then it grew on me. By the end of this song I loved it. It's cheezy. It cheers me up. I can't stop singing the chorus. I love it! "I need love CPR!" Ha ha ha, did he really say that? so cheeeezy. It's perfect. 5/5 D'Luv: This follows the perfect boy band formula—minimal melody but one brief, catchy hook tucked away in the chorus (in this case, the "won't beat again, it's killing me" bit). I'd dock it a point for so blatantly ripping off Kardinal Offishall's "Dangerous," but...what a great song to cop from! 4/5 Mike: If you threw every boyband cliche into a blender and sprinkled in some of the worst lyrics ever written, you would end up with something very similar to "Beat Again". It's abysmal but there is a so bad it's funny thing going on. 2/5 Pablo: This is one of the reasons why miss fabulous, glamorous, lovely Cheryl Cole didn't made them winners. 1/5 Paul: Oh Marvin can beat me off again anytime. It sort of sounds like a Chris Brown comeback single (though thank god it isn't with that title!) and it's certainly going for the edgy pop meets electro tag. However, underneath that blustering bravado is a very simple song, with a catchy hook performed by the real winners of last years X Factor. And it's ultimately quite cheap and quite charming. 4.5/5 Rob: Incredibly unoriginal. American boybands have been doing this sort of stuff the past 10 years. Hell, British boybands been and gone have already covered this ground (Blue/Another Level). X Factor showed off their vocals and this simply autotunes their distinct vocal qualities to white noise. Simply shit. Oh, and next time spend more than £1.50 on your video. 1.5/5 The Prophet: This would've been good like 15 years ago! They remind me of a black BSB, and I mean that in a bad way. 0/5 Total: 18/35
CC: Oh dear. Any song that starts off with "I know we've had our ups and downs, at times I would look like the clown..." Yeah that's one of those songs you write and then throw in the rubbish when you play it to yourself again when you're sober and realise it's absolute crap. And who put Holly Valance in that god awful purple dress? It's fugly! She is hot but not even she can save this song or the video. 1/5 D'Luv: Classic pop in every way. I'm not totally aboard the Vincent Frank bandwagon, but this has me thinking about taking a test ride. 4.5/5 Mike: Frankmusik? More like Fuckinshitmusik. And who's Vincent kidding by "dating" Holly? They're clearly the Will & Grace of electropop! 2/5 Pablo: A song that could be for "I have my period but feeling kinda happy". The chorus reminds me of some other song, but I can't remember which one. 3/5 Paul: He's very hyped isn't he? I do quite like this song, but I'm not exactly mad over it. For me, he doesn't really live up to the hype and this has done little to change my mind. Holly's best acting since she unfeasibly turned up as Michael's mail order russian bride on Prison Break though. 3/5 Rob: Absolutely awful video. Billie got there with this a decade ago. Song is pretty sweet. 5ive would consider this as a b-side. 3/5 The Prophet: I only watched this originally for Queen Holly (bow down and show respect!) but now I'm obsessed with Frankmusik and this song! It's been on repeat for me. 4.5/5 Total: 21/35
MPHO - Box N Locks
This hugely hyped diva's debut samples the 80s classic "Echo Beach".
CC: Fantastic looking video. I am all about colourful clips. What's with the brown bangs and the black pony tail though? Great styling. Cute song but kinda boring and forgettable. She's very hot and I think she will be around for a while if she gets some stronger songs. I like the sample. It's a cool jam. 3.5/5 D'Luv: I went to take a piss while this was playing, and when I came back, it was unfortunately still going. 1/5 Mike: This isn't so much a debut single as a declaration of intent. It's a bit clumsy at times but I love the sample and the message behind her lyrics. 3.5/5 Pablo: It's like trying to be a bad girl, sounding pop but wanting to be R'n'B. Quite catchy. 3/5 Paul: I've seen this on popjustice a lot but never really bothered to check it out. I've missed out really because it is a lot better than I thought. Slightly punky, breakneck speed chorus with a catchy hook. It does remind me of someone, but i can't think who. Utterly decent overall though, specially the hand claps in the middle 8! 3.5/5 Rob: Terrible lyrics. Boring music. Trying too hard to fit into that "pop is cool" category. Absolutely fails though. 2.5/5 The Prophet: I did a feature on MPHO the other week on my blog! I love her, the lyrics scream a little "Look at me I'm an individual!" but I understand she needs to do that for the first single. I think she's great! 4.5/5 Total: 21.5/35
The BEP’s latest single was produced by acclaimed French DJ David Guetta.
CC: I was really looking forward to this song. I love the Peas. They are one of my favourite groups. I love them. I can't believe they used a vocoda. They sound like some fucking overproduced RnB band. Boo. Taboo is so sexy and looks hot in this video. For that he gets a point. And fergie rocks, her singing verse is the highlight of this song. This just sounds like a Daft Punk remix. What's the saying I'm looking for here? I like your old stuff better than your new stuff. 2/5 D'Luv: I'm no fan of the Peas, but I'm man enough to set my preconceived notions aside when an artist I don't have a taste for comes up with a decent pop single. "I Gotta Feeling" grabbed my ear the first time I heard it on the radio. That said, "I Gotta Feeling" is almost too gimmicky, and will surely be played to death from here to Guam this summer. 3/5 Mike: This captures that great feeling of expectation before a big night out. It's the musical equivalent of every great Saturday night you've ever had rolled into one. "I Gotta Feeling" is THE party anthem of 2009. 5/5 Pablo: Simply perfection! I totally hate Fergie, I can't stand will.i.am... but this song (and the complete album) is perfect. This song gets much better with the party video. 5/5 Paul: Ridiculously I had a moment this week where I sort of liked their "Boom Boom Pow" single, but mercifully that has passed. And mercifully David Guetta has injected some decent pop magic into this tune. What a relief because I still find them quite annoying and odious. If I was already dancing to "Love Takes Over" and this came on, I wouldn't walk off the dance floor. 3/5 Rob: This sounds like a brilliant eastern European dance record that the types of DJ Bobo would cover and make a smash hit in Switzerland. In other words, very good indeed. 4/5 The Prophet: I love the Peas and this is a hot song but "Boom Boom Pow" is much better. I think this is a little too radio friendly and pop. 3.5/5 Total: 25.5/35
Dan's debut single borrows elements from "Umbrella" & Biggie's "Hypnotize".
CC: Beautiful, cute song. I love it. Indie simplicity. 5/5 D'Luv: "Symphonies" seems like the type of song Robbie Williams wishes he was still young and interesting enough to make. Luckily, Dan Black's delivery here is more charming than anything Robbie's vomitted up over the past 10 years. 3/5 Mike: Extraordinary from beginning to end. I love the strings, I love the eclectic influences and most of all, I admire Dan's ability to pull everything together to come up with something new. Simple and beautiful. 5/5 Pablo: An epic begining for a song that includes hocus pocus in its lyrics. Bad sign! I like the violins but the song is weird. "Umbrella", ballad and almost a rap. I don't get it. 2/5 Paul: Oh my i love this tune, which is quite surprising considering "Umbrella" just passed me by. I just really like the lyrics and it just grooves along at it's own pace. Very summery and I find Dan's voice quite delicious. Tres bon. 4/5 Rob: Amazing. I love anything that has a slight reference to Star Trek. This is what Darren Hayes has always tried to achieve. Symphonies is in that box marked "probably best songs of 2009". Absolutely inspiring. 5/5 The Prophet: Biggies "Hypnotize" and Rihanna's "Umbrella" are two of the greatest songs ever. Don't sample them so heavily if you can't do it justice. I'd rather just listen to the originals. 2/5 Total: 26/35
SINGLE OF THE WEEK
Shena - My Fantasy
Disco never dies!
CC: Mmm disco music. Never really been my thing. There's nothing really wrong with this song, it's just that this stuff all sounds the same to me. Great soulful voice but I have to deduct points for this just not being my fave genre even though that's a little unfair. 2/5 D'Luv: You can sorta tell Shena probably gives wicked-awesome head. 3/5 Mike: The thing I love most about "My Fantasy" is the fact that it's authentic disco (ie. with real instruments) not some tragic modern day interpretation. Shena could be the cult diva of 2009. 4/5 Pablo: Totally like! Nothing new about this sound, heard it all before, but it's always good to get up and dance. 4.75/5 Paul: Ooh this is bloody ace. It reminds me of that Sheena Easton album of disco covers from a few years back. This is drenched in the super sounds of disco and sounds so familiar that you swear you have heard it before. This is possibly the best song that i have discovered through the pop panel suggestions. Aces. 4.5/5 Rob: Disco arouses me to the core. I think she can do better though. 4/5 The Prophet: Fabulous! Love the 70's disco vibe. This is so good! 4/5 Total: 26.25/35
Halfway through "The E.N.D." I was ready to declare it the best pop album of 2009, such is the brilliance of tracks like "I Gotta Feeling", "Alive" and "Rock That Body". Unfortunately, the albums loses a bit of momentum and the second half is something of a letdown in comparison. That doesn't change the fact that "The E.N.D." is an extraordinarily fun album. This is one of those rare discs that you could spin at a party and be guaranteed to please the vast majority of people in the room. The move towards electro and dance is inspired and no act in modern music bridges the gap between hip hop and pop better than the Black Eyed Peas.
Given their usually obtuse lyrics about Fergie's humps and endless sex appeal, it comes as something of a surprise that the band has a theme this time around. I guess you could even call "The E.N.D." a concept album of sorts. In the liner notes will.i.am writes eloquently about the death of record stores and the demise of music in a physical form - and this collection of tunes deals with what comes next. It's all about the future of music and that's reflected in the robotic beats, computerised voice effects and fearless blending of genres. There's even a song about Facebook and Myspace! The result is a fresh and exciting album that sometimes buckles under the weight of its own epic scale. Coming in at 25 tracks (if you buy the Deluxe Edition and I highly recommend you do), "The E.N.D." is almost overwhelming. However, in the days of individual track downloading and homemade playlists, it's easy to come up with a version to suit almost everyone and, to be honest, I think that's the whole point of "The E.N.D." - to celebrate the digital world and all the new opportunities it brings.
Here's my track by track review:
Boom Boom Pow - 8/10
This sets the tone of the album perfectly with its robotic voice effects and futuristic beats. However, it's not representative of the rest of the songs at all. "Boom Boom Pow" is the only track that has been deconstructed to such a devastating extent. I know a lot of people despise "Boom Boom Pow" but I think it's clever, post modern and ridiculously catchy despite (or perhaps because of) its minimalist approach. That being said, I couldn't cope with a whole album of this shit without falling into some kind of hypnotic trance. Thankfully the Peas realise this and are smart enough not to use the same trick twice.
Rock That Body - 8.5/10
French DJ David Guetta joins will.i.am for production duties on this epic dance track and the result is surprisingly brilliant. In fact, you could be forgiven for mistaking "Rock That Body" for a Daft Punk song. That's not to say it's a rip off. The mash of electronic and trance elements has been done before but not within the context of urban music. I particularly love the sample of Lynn Collins' disco classic "Think (About It)" and can see this being a club smash.
Meet Me Halfway - 10/10
This is my equal favourite song on "The E.N.D." and I'm incredibly bitter that it's been wasted as one of three pre-album promotional singles along with "Imma Be" and "Alive". It's such a relief to have Fergie take over vocal duties after remaining very much in the background for the first two tracks. In fact, the holy Queen of urban pop takes a backseat for most of the album. You can still hear old methhead's stunning vocals on almost every track but she doesn't rule the microphone to the extent she has on past albums - a clear ploy to distinguish "The E.N.D." from "The Dutchess", which (let's face it) featured almost exactly the same line-up of producers and songwriters. It works in places but there's no denying the album lifts every time we hear that fergalicious voice and "Meet Me Halfway" is a perfect example. This glorious synth drenched, pure pop anthem channels Madonna and Stacey Q at the height of their mid-80s fabulousness. I really hope Fergie's next solo album sounds a little something like this.
Imma Be - 3/10
I can appreciate the skill displayed on this track. The production is slick and the rhymes are tight but I'm too gay, too old and way too white to sing along to lyrics like "Y'all niggers wanna talk shit"!
I Gotta Feeling - 10/10
David Guetta has been one of the world's hottest DJs for years but if "I Gotta Feeling" is anywhere near as huge as I think it's going to be, it's only a matter of time before he's an A-list producer as well. The second single from "The E.N.D." is quite simply the year's best party anthem. This is the perfect soundtrack for a big night out. "I Gotta Feeling" captures the moment of standing in front of the mirror on a Saturday night, flattening your asymmetrical haircut or undertaking some last minute manscaping. It's about the excitement of what's to come and the potential the night holds. This is uplifting, catchy and utterly joyous.
Alive - 9/10
This is another fantastic song that was rudely wasted as a promotional single. Will.i.am returns to the production desk for this gorgeous disco-soul-hip hop hybrid. As sunny and relaxed as a Sunday afternoon, "Alive" is an unexpected treat among all the club bangers and party anthems. This loses one point for a bit of vocoder overkill. Other than that, this breezy little gem is almost perfect.
Missing You - 8.5/10
Fergie pushes the pretenders aside to belt out the chorus on this winner. Produced by Printz Board (the man who crafted "Differently" for Cassie Davis), "Missing You" is a poptastic chorus wedged between electro verses and rap interludes. Like "Differently", it sounds like three different songs rolled into one but in this case it works.
Ring-A-Ling - 5/10
Despite being catchy in an incredibly annoying kind of way, "Ring-A-Ling" is a song in search of a melody. Think of this as an uptempo version of "Boom Boom Pow" without the killer rhymes. The production (courtesy of Keith Harris) is dazzling but as mum always says, you can't make a silk purse out of a sow's ear. However, this is perfectly acceptable as an album track.
Party All The Time - 8/10
Yet another effortlessly uplifting and catchy party anthem. And again it's Fergie's vocal that lifts this track to the next level. The almost industrial electro beats are sometimes overwhelming but I defy you not to move your feet. I love the trashy lyrics and Fergie sings the hell out of the chorus. This just makes you want to down a beer and throw your hands in the air. My favourite lyric is "I want to party like Ibiza, we don't need a visa" and when Fergie begs "take me to the club so we can dance". This distills every fun weekend you've every had and rolls them all into one song.
Out Of My Head - 8/10
Fergie's only real lead vocal is on a track about being pissed in a club. Classy! It took me a couple of listens to warm to the deep funk of "Out Of My Head" but I like it more every time I hear it. The brass is a nice surprise and the line where Fergie demands vodka and Red Bull is seriously fabulous. This sounds a little like Jamiroquai - if he were a cheap, drunken whore on the prowl for penis.
Electric City - 5/10
A slightly monotonous rap track with migraine inducing sound effects. I swear Fergie sings "pictures of my dick, no my dildo". If that's the case, I take it all back and give this 10/10.
Showdown - 6.5/10
Band member apl.de.ap is given production duties on "Showdown" and he does a good job. It's nice to actually hear a couple of real instruments and the dance-hip hop blend works well, particularly in the chorus. I just think this is missing the hook to take it to the next level but it's decent filler.
Now Generation - 6/10
This is the song I mentioned earlier about social networking sites. It's fun and suits the album's theme but the lyrics are pretty embarrassing given that Fergie & co are all staring down the barrel of middle age. "Now Generation" has potential but the production is underdone and again, it lacks a hook. Even Fergie's wicked chorus can't save it.
One Tribe - 7/10
After a string of uninspiring electro-rap numbers, the Peas redeem themselves on this world music flavoured call for peace. I love the "woahs" and the simple lyrics are inspiring without being preachy. Think of this as the upbeat cousin of their breakthrough smash "Where Is The Love". C'mon, let's catch amnesia!
Rockin' To The Beat - 6.5/10
This disco meets electro floorfiller is a blatant excuse to play around with different production techniques and technologies. It's fun but there's no meaning to or emotion behind it and the song ultimately brings nothing new to "The E.N.D.". That said it's a perfectly harmless conclusion to an otherwise fun album.
Bonus Disc
Where You Wanna Go - 8.5/10
I can't believe this catchy little tune didn't make the final cut! "Where You Wanna Go" has hit written all over it! Will.i.am's short bursts of rap cradle a remarkable pop-rock chorus that allows Fergie to show off her powerful pipes. This is definitely worth hunting down.
Simple Little Melody - 9/10
Boys Noize are a relatively unknown German production outfit but I wish the Peas had hired them to produce more than this solitary track. "Simple Little Melody" is a wicked cross between Eiffel 65 and Royksopp that wouldn't sound out of place on a 90s trance compilation. Well, the bits without the futuristic effects anyway! This delivers exactly what the title promises - a simple little melody that gets stuck in your head and refuses to budge. It's worth buying the Deluxe Edition of "The E.N.D." for this gem alone. As Fergie sings, this "equals BEP, bitch"!
Mare - 4/10
Unfortunately, this isn't about a horse. It's just another rape of an old A R Rahman song. Can the Indian craze please be over soon? I'm yet to hear anything decent come from it and that includes PCD's abysmal "Jai Ho".
Don't Bring Me Down - 7/10
Slightly reminiscent of "Pump It", this joyous little number borrows elements from 70s rock and soul. The rap verses are slightly boring but the feel good chorus is another winner. It's just not quite as polished as the other party anthems on the album.
That's The Joint - 2/10
An unnecessary jazz improv session that feels extremely out of place. "That's The Joint" really should be collecting dust on a studio shelf somewhere.
Another Weekend - 4.5/10
This boring and anonymous hip hop jam will only appeal to urban fans. Fergie's vocal is slinky and sexy but this goes nowhere fast.
Bonus Remixes - 7/10
The bonus disc also includes the following remixes of previous BEP hits. They're all fun but none of them improve on the original. That being said, they're nice to have in the collection and it's nice to get some value for money for a change.
Pump It Harder (a remix of "Pump It") Let's Get Re-Started (a remix of "Let's Get Retarded") Shut The Phunk Up (a remix of "Shut Up") Don't Phunk Around (a remix of "Don't Phunk With My Heart")
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