
Could your faves?
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Could your faves?
Source URL: https://popmusicrecords.blogspot.com/search/label/Kelly%20Rowland
Reviewing Kelly Rowland's latest album has been on my 'to do' list since returning from LA. The problem is I still can't decide if it's a lazy collection of soulless club-bangers and babymakin' slow jams or a tight R&B offering that I subconsciously begrudge for overlooking killer tunes like "Rose Colored Glasses" and "Forever And A Day". I'm sure the truth lies somewhere in between and I'll keep listening to "Here I Am" on repeat until I get some clarity but there's one song that demands immediate attention - Kelendria's amazing fisting anthem "I'm Dat Chick". We all know Kelly likes to get her freak on but this is some next level shit!
Tenitra is praying for Ms Kelly's soul
As much as I worship at the alter of "4", there's no denying that the album's promo campaign is the year's hottest mess. "Run The World (Girls)" sat on iTunes for a month with no video or promotion before being thrown away like a used condom after Bey's iconic BBMA performance/ground-breaking Oprah appearance. She then rushed out "Irreplaceable 2011" within weeks - but not before performing "1+1" on American Idol and "End Of Time" at the BET Awards. "Best Thing" didn't exactly set the charts on fire but it was a top 3 hit in the UK and climbed into the US top 20. However, instead of performing it at the VMAs, Queen B announced her pregnancy by belting out "Love On Top" despite naming "Party" as a possible single and releasing a random video for "1+1". Is anyone else confused?
In case you're wondering what I've been listening to for the past couple of months, here are ten tracks that formed the soundtrack to my American trip. They are clearly all defining anthems of the highest quality, so don't pay too much attention to the rankings. An honourable mention should go to DJ Khaled's "I'm On One", which I was obsessed with for a couple of weeks before coming to my senses.
"Run The World (Girls)" is now a gold-selling top 10 hit. In Australia. Not only that but "Best Thing I Never Had" is already top 30 on our iTunes with no airplay or promotion - a stark contrast to its position in America. I think we all know what this means. Beyoncé is the new Kat DeLuna. Only instead of ruling Belgium's airwaves, Honey B is snatching wigs from Penrith to Perth. Kelly Rowland could never!Source URL: https://popmusicrecords.blogspot.com/search/label/Kelly%20Rowland
Damn, Bey. You've done it again! The official second single from "4" hit the internet this afternoon and it's a triumphant return to form. I love "Run The World (Girls)" - for so many different reasons - but it's kind of hard to identify with. Unless you're a pantsula practising glamazon from the hood with a fetish for Major Lazer beats. "Best Thing I Never Had", on the other hand, strikes an immediate chord with anyone who has ever been fucked over by someone they love. It's a bitter Dear John letter set to music. Beyoncé lets her man know exactly how bad he screwed up before declaring that he was just a loser and she's better off without him. Preach!
After living in Beyoncé's shadow for the past 15 years, Kelly Rowland has emerged from the darkness with a freshly snatched House of Dereon wig in her back pocket. Miss Kelly is now the most successful child of destiny as her new single "Motivation" tops the US urban airplay chart this week and climbs to a new peak of number 21 on the Billboard Hot 100. I'm so happy for her! When "Commander" flopped, I honestly thought Kelly's time had passed. That song was so perfect and should have been her moment to shine. Unfortunately, it wasn't to be but the stars have finally aligned for the hardest working diva in the game. And with probably the least commercial song of her career.
My angels reunite
There was a lot riding of Beyoncé's performance at today's Billboard Awards in Las Vegas. It's no secret that "Run The World (Girls)" is the love-it-or-hate-it hot mess of the decade and the timing and legitimacy of her special Millennium Award was questioned by the usual crowd of pressed troublemakers. And while I'll admit that the timing was suspect, there's no denying that she well and truly deserved the award. It's basic math. When Billboard released their artists of the decade countdown in back 2009 Beyoncé came in 4th, while Destiny's Child placed 9th. Add the two together and you have the biggest star of the new millennium. Which admittedly is only 11 years old. But still!
5. Licky - Shontelle (Video)
Another week, another Pop Panel. I have to admit that this was one of my favourite selections. The winner was always a forgone conclusion but I would have been happy for any of the top 5 to win. There's an interesting mix of Eurotrash, floorfillers and even a bit of indie-pop. We also have the lowest and highest scores in Pop Panel history, which is something of an achievement. I know that's pretty thrilling but more exciting still is our smokin' hot celebrity guest. It's about time things got a little bit sexy around here and until Fadde returns my phone calls, tonight's judge will do nicely! Anyway, here are the usual bitches:
Sam, you have a new single on the way. Tell us more about "It's A Mistake". It's so pretty!SINGLE OF THE WEEK

Just look at that classy line up. The stand out performer is clearly Chris Sorbello but the rest of them are pretty fabulous if you're into that kind of thing. I have to admit I was sceptical about Australia's new Queen of Clubs (c) joining what is essentially an urban music festival but Thursday night's Supafest was proof that genre lines are becoming increasingly irrelevant. The show generated a lot of bad press (Akon missed the Adelaide leg, Kelly threw a massive tantrum at the airport and Eve sported the worst weave I've ever seen) but I enjoyed it despite the fact that half of the acts usually make my skin crawl. But more about them later. My whole reason for going was the lovely Ms Sorbello. I know she's a good live performer but there's a big difference between singing to 400 people in a nightclub and working it in front of 15,000 punters at Acer Arena. And she did amazingly well. In a short but sweet three song set, Chris more than held her ground among so many big names. She showed the majority of them up.
Chris getting mauled by fembots
Opening with "Dangerzone" was a smart move. I love that song and still think it's a viable single. It was interesting to note that the majority of the dance steps haven't changed since her showcase but why fuck with something that isn't broken? Chris used the stage better than anyone and her amazing fembots put Kelly Rowland's broke arse dancers to shame. The choreography was so tight. I still get a kick out the sequence where the fembots bring out the microphone in a series of robotic moves and their costumes looked brilliant under the lights. Chris didn't look too shabby either. Her old Hollywoood meets Cassie circa "Electro Love" hairstyle was the sex and I'm a complete whore for that skirt. "Dangerzone" was followed by "Symbiotic". It's no secret that I don't really like that song and Thursday night's performance didn't change that. I just think it's missing something. Like a chorus. Not that it mattered because Chris saved the best for last. It's been such an amazing journey witnessing "So Lonely" evolve from a shy little demo back in 2008 to the slick electro anthem it is today. I actually got quite emotional hearing her perform it in front of so many people. That song alone sums up how far she's come over the past year. It was the perfect end to an accomplished and original set.Chris & Sean Paul swap numbers back stage
Next up was Eve. I've had a not so secret gay man's crush on her since she joined forces with Gwen Stefani on 2001's "Let Me Blow Ya Mind" (has it really been 9 years?) and was looking forward to finally seeing her live. And she didn't disappoint despite having what appeared to be a dead muppet glued to her head. Bitch needs to call Ken Paves ASAP! Eve's set was very simple but she has star quality and it was fun hearing old favourites like "Who's That Girl" and "Gansta Lovin'". Unfortunately, I missed Jay Sean while I was back stage annoying Chris but I did manage to get high on the marijuana fumes streaming out of a certain dressing room. My only regret is not running into Kelly Rowland. I was dying to ask her what it's like to be in the presence of greatness (ie. Beyoncé) but I did hear a fantastic story about her ironing Akon's shirt - which makes me love her even more. By the time I got back to my seat, Sean Paul was half way through his set. I'm not exactly a fan but the crowd was going wild for him and I loved his bootylicious Jamaican dancers.Grrrr!
The biggest surprise of the night was Pitbull. With the exception of his stunning rap on Livvi Franc's immortal smash hit (in my mind) "Now I'm That Bitch", his music has always bored me senseless. However, after thirty minutes of watching the pride of Miami thrust his groin at the audience - I was just about ready to start a new fansite in his honour. It would just be heavy on pictures and light on audio. That said, "I Know You Want Me (Calle Ocho)" and "Hotel Room Service" sounded great live and his band was incredible. Consider me a convert! After Chris, the act I was most looking forward to was Kelly Rowland. As a life long Destiny's Child fan, she holds a special place in my heart and the hype surrounding "Commander" (her new single) suggested she had taken things to the next level. She hasn't. I hate dissing someone I genuinely love but Ms Kelly was a hot mess. She looked amazing and sounded good but she seemed lost on stage and made a series of embarrassing comments that made her look like an idiot. Things started well with great versions of "Work" and "Like This". I thought her re-jigged version of "Dilemma" was a misstep but not as bad as leaving the stage for an extended break after three songs only to return in the same costume. I guess she was busting for a piss. The highlight was her Destiny's Child medley of hits but I cringed when she told the crowd she was going to take them "way back" by singing "Survivor". It was released after at least three of the songs that preceded it. She then performed an awful cover of Coldplay's "Clocks" before thanking Australia for taking "When Love Takes Over" to number one. Sorry, Kelly. It actually peaked at #4. I know I'm being pedantic and slightly mean but I expected more from her. Maybe she was just having a bad night. All in all, I really enjoyed Supafest and hope they bring it back next year. Preferably with urban superstars like Solange, Khia, Michelle Williams, Choice, Livvi Franc, Kiely Williams and Heidi Montag in the line up. A boy can dream.
At least she looked good
Source URL: https://popmusicrecords.blogspot.com/search/label/Kelly%20Rowland